Collection: Minotaur's Dream

The Minotaur's Dream series began not with an intention to depict the mythical beast itself, but to imagine the landscape of its unconscious. Rather than illustrating the labyrinth, these paintings descend into the psychic territory from which monsters arise—the place where memory, instinct, fear, divinity, and identity have not yet separated into distinct forms.

Created through a process of intuitive discovery, each painting evolved from abstract marks that gradually revealed faces, creatures, and organic structures hidden within one another. The resulting images resist fixed interpretation. They are less scenes than living surfaces, where every form threatens to become another. Eyes emerge from bark, mouths dissolve into roots, skulls blossom into flowers, and anonymous faces appear only to vanish again into an endless biological architecture.

The Minotaur here is not simply the monster of Greek mythology. It becomes an archetype of the hidden self—the instinctive intelligence buried beneath civilization, the forgotten inhabitant of the inner labyrinth. Like dreams themselves, these paintings refuse linear narrative. Instead they invite prolonged contemplation, allowing each viewer to discover their own procession of symbols within the same tangled world.